The Journal for Movies and Mind
Aims & Scope
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WINNER OF THE 2008 AAP/PSP PROSE AWARD FOR BEST NEW JOURNAL IN THE SOCIAL SCIENCES & HUMANITIES!
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Published in association with The Society for Cognitive Studies of the Moving Image
Projections: The Journal for Movies and Mind is an interdisciplinary, peer-reviewed journal that explores how the mind experiences, understands, and interprets the audiovisual and narrative structures of cinema and other visual media. Recognizing cinema as an art form, the journal aims to integrate established traditions of analyzing media aesthetics with current research into perception, cognition, and emotion, according to frameworks supplied by philosophy of mind, phenomenology, psychology, and the cognitive-and neurosciences. The journal seeks to facilitate a dialogue between scholars in these disciplines and bring the study of moving image media to the forefront of contemporary intellectual debate.
Submissions are welcomed from a variety of scholarly methods within the humanities and the sciences, from aesthetic to empirical, theoretical, and historical approaches. We especially welcome interdisciplinary approaches that bridge the traditional humanities/sciences division. Accordingly, we invite and consider several forms of submission. Please read the submission guidelines carefully to ensure that your submission aligns with the particular requirements for each format.
Subjects: Film Studies Follow @BerghahnAnthro
Volume 12, Issue 1 (Spring 2018)
From the Editor
The Cine-Fist: Eisenstein’s Attractions, Mirror Neurons, and Contemporary Action Cinema
Revisiting the Kuleshov Effect with First-Time Viewers
Sermin Ildirar and Louise Ewing
Rogue or Lover: Value-Maximizing Interpretations of Withnail and I
When the Future Is Hard to Recall: Episodic Memory and Mnemonic Aids in Denis Villeneuve’s Arrival
Disrupted PECMA Flows: A Cognitive Approach to the Experience of Narrative Complexity in Film
Vincent Ros and Miklós Kiss
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