The Journal for Movies and Mind
Aims & Scope
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WINNER OF THE 2008 AAP/PSP PROSE AWARD FOR BEST NEW JOURNAL IN THE SOCIAL SCIENCES & HUMANITIES!
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Published in association with The Society for Cognitive Studies of the Moving Image and The Forum for Movies and Mind
Projections: The Journal for Movies and Mind is an interdisciplinary, peer-reviewed journal that explores how the mind experiences, understands, and interprets the audiovisual and narrative structures of cinema and other visual media. Recognizing cinema as an art form, the journal aims to integrate established traditions of analyzing media aesthetics with current research into perception, cognition, and emotion, according to frameworks supplied by psychology, psychoanalysis, and the cognitive and neurosciences. Submissions are welcomed from a variety of scholarly methods within the humanities and the sciences, from aesthetic to empirical, theoretical, and historical approaches. The journal seeks to facilitate a dialogue between scholars in these disciplines and bring the study of moving image media to the forefront of contemporary intellectual debate.
Subjects: Film Studies
Volume 11, Issue 1, Summer 2017
FROM THE EDITOR
INSTANCES OF CINEMA
ANALYZING STYLISTIC PATTERNING IN FILM TO ESTABLISH THE CINEMATOGRAPHER AS A COAUTHOR: A CASE STUDY OF GREGG TOLAND
AFFECTING PROFUNDITY: COGNITIVE AND MORAL DISSONANCE IN LYNCH, LOACH, LINKLATER, AND SAYLES
TAKING BAZIN LITERALLY
BRIDGING THE GAP BETWEEN THE LIGHT AND DARK SIDE OF THE FORCE: A CONTEMPORARY KLEINIAN VIEW OF STAR WARS
Jason Dean and Geoffrey Raynor
STRIKINGLY LOW AGREEMENT IN THE APPRAISAL OF MOTION PICTURES
Pascal Wallisch and Jake Alden Whritner
MAKING OVER MISE-EN-SCÈNE
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