Projections
The Journal for Movies and Mind
Aims & Scope
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WINNER OF THE 2008 AAP/PSP PROSE AWARD FOR BEST NEW JOURNAL IN THE SOCIAL SCIENCES & HUMANITIES!
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Published in association with The Society for Cognitive Studies of the Moving Image
Projections: The Journal for Movies and Mind is an interdisciplinary, peer-reviewed journal that explores how the mind experiences, understands, and interprets the audiovisual and narrative structures of cinema and other visual media. Recognizing cinema as an art form, the journal aims to integrate established traditions of analyzing media aesthetics with current research into perception, cognition, and emotion, according to frameworks supplied by philosophy of mind, phenomenology, psychology, and the cognitive-and neurosciences. The journal seeks to facilitate a dialogue between scholars in these disciplines and bring the study of moving image media to the forefront of contemporary intellectual debate.
Submissions are welcomed from a variety of scholarly methods within the humanities and the sciences, from aesthetic to empirical, theoretical, and historical approaches. We especially welcome interdisciplinary approaches that bridge the traditional humanities/sciences division. Accordingly, we invite and consider several forms of submission. Please read the submission guidelines carefully to ensure that your submission aligns with the particular requirements for each format.
Subjects: Film Studies Follow @BerghahnAnthro
Forthcoming Issue
Volume 12, Issue 2 (Winter 2018)
From the Editor
Ted Nannicelli
Symposium on Murray Smith’s Film, Art, and the Third Culture
Film, Art, and the Third Culture: A Naturalized Aesthetics of Film—Précis
Murray Smith
A Moderately Pessimistic Perspective on “Cooperative Naturalism”
David Davies
Naturalized Aesthetics and Criticism: On Value Judgments
Laura T. Di Summa-Knoop
Embodied Seeing-In, Empathy, and Expansionism
Joerg Fingerhut
Collaboration in the Third Culture
Stacie Friend
Naturalizing Aesthetic Experience: The Role of (Liberated) Embodied Simulation
Vittorio Gallese
FACT Is a Fact of Both Life and Art
Jerrold Levinson
Questions about Aesthetic Experience
Paisley Livingston
Naturalized Aesthetics and Emotion Theory
Rainer Reisenzein
“Mind the Gap”: Between Movies and Mind, Affective Neuroscience, and the Philosophy of Film
Jane Stadler
The Role of Scientific Research in Film Theory
Katherine Thomson-Jones
Putting the Culture into Bioculturalism: A Naturalized Aesthetics and the Challenge of Modernism
Dominic Topp
Film, Art, and the Third Culture—A Response
Murray Smith
Articles
Ivan Mozzhukhin’s Acting Style: Beyond the Kuleshov Effect
Johannes Riis
A Pragmatic Framework for the Cognitive Study of Documentary
Catalin Brylla and Mette Kramer
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